LA ART BOOK FAIR 2019

April 12–14, 2019
Opening Night: April 11 
The Geffen Contemporary at MOCA
152 North Central Ave
Los Angeles, CA 90012

https://laabf2019.printedmatterartbookfairs.org

Material Art Fair

07–10.FEB.2019
FRONTÓN MÉXICO
¡ARTE QUÉ RICO!

https://www.material-fair.com

Rrréplica—04

01-03.02.19

Ciudad 

de México

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MEETING/ ENCOUNTER/ CLASH OF REBELLIOUS/ DISOBEDIENT/ UNRULY/ PUBLISHERS/ PRINTERS/ EDITORS/ DUPLICATORS/ TO CONFORM PUBLIC SPACE/ TO CULTIVATE THE RIGHT TO DISSENT/ TO ATTEND THE URGENCY/ TO RESONATE!

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Archivo

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General Francisco Ramírez 4 

Ampliación Daniel Garza 

CDMX 

11840

https://www.rrreplica.org

Contracorriente 04

7-9 diciembre

Xalapa, Ver., México

https://www.facebook.com/events/489356481473176/

OFFPRINT PARIS 2018

Art Publishing Fair

8-11 November 2018

Beaux Arts de Paris

http://offprint.org/

FLAT Art Book Fair

LA CENTRALE
NUVOLA LAVAZZA, TURIN
 November 1-3 / 201

http://flatartbookfair.com/en/

NYABF 2018 Printed Matter

Preview Thursday, September 20, 6-9pm (Ticketed)

Friday, September  21, 1-7pm

Saturday, September 22, 11am-9pm

Sunday, September 23, 11am-7pm

http://nyartbookfair.com/about/

LA Pages

May 18th, 19th, 20th

http://8ballcommunity.club/LA-PAGES

Acid-Free Los Ángeles Art Book Market

04/05 -06/05/18

Es un mercado de libros de arte de tres días organizado por un grupo de editores independientes con sede en Los Ángeles.

Más de 80 expositores internacionales y de la Costa Oeste presentando nuevas publicaciones y proyectos junto con video, música y programación discursiva durante todo el fin de semana. Gratis y abierto al público.

http://acid-free.info/

Miss Read: The Berlin Art Book Fair 2017 & 2018 at Haus der Kulturen der Welt, Berlin

04/05 - 06/05

Una gran selección de más de 260 editores, publicaciones periódicas de arte y artistas / escritores.

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http://missread.com/miss-read-2018/

Libros mutantes Art Book Fair, en La Casa Encendida, Madrid.

​20/04 - 22/04

https://www.lacasaencendida.es/encuentros/libros-mutantes-2018-madrid-art-book-fair-8681

5ta Muestra de Libro de Artista en el Museo Universitario de Arte Contemporáneo

21/04 - 22/04

Selección de editoriales independientes que promueven la divulgación del trabajo de diversos artistas a través de publicaciones que se distribuyen de manera autónoma.

http://muac.unam.mx/evento-detalle-236-5a-muestra-de-libro-de-artista

Fiesta del libro y la rosa 2018 UNAM en el Museo del Chopo

21/04 - 22/04

http://www.fiestadellibroylarosa.unam.mx/http://www.fiestadellibroylarosa.unam.mx/

EDIT10N TAUBE PICNIC WORLD TOUR

EDIT10N TAUBE PICNIC WORLD TOUR
Picnic #1 Santa Monica
April 15th 2019, from 6PM, Santa Monica State Beach, L.A.
——
A picnic with Leif Hedendal, David Horvitz, Gato Negro and Edition Taube
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A reading at sundown (7:24PM) of How to Shoplift Books / Cómo robar libros.
——
Food by Leif Hedendal. ——
Bring your own blanket, snacks, refreshments or books. ——
The exact coordinates will be announced on instagram @editiontaube
——
Please arrive before sunset! P.S.: There is never traffic driving west on the 10 freeway in the afternoon!

@davidhorvitz @leifhedendal@gatonegroediciones

https://www.editiontaube.de/activity/los-angeles-picnic-edit10n-taube-picnic-world-tour/

REUNIÓN NORTH BORDER BY DANI ZELKO AT LAABF2019

13/04

Classroom Printed Matter's LA Art Book Fair, 12:00h “Migrants are being constructed as political enemies” “Migrants are being incorporated into the discourse of war” “What’s new is not migratory movements, what’s new is this global regime of borders, this neoliberal fantasy of trying to govern human mobility” “Why can’t we understand that migration is the aftermath of colonialism and slavery?” “Migration is the very dispute of what we call borders!” “Migrant caravans are an uprising! A rebellion!” “The act that migrants are carrying out puts an end to an era, it invents a new historical and political moment” “To migrate is pure will of life” “All living beings move to where there is water, food, and light” “To migrate is to begin a new story for your life.” Walking through cities, towns, border crossings and rural communities of Mexico, the United States and Canada, I ran into people that had to flee from the Global South and look for a new life in North America. I invited them to write a few poems. They spoke to me and I wrote down everything they said by hand. Each time they inhaled I started a new line. Nothing was recorded. We printed their books that day. The next day, when the circumstances allowed it, each person read their poems aloud in a round of nine chairs and gave the books to everyone who came to listen. In the beginning, during a get-together, spoken word becomes written word. In the end, poems occasion a gathering where the written word becomes oral. Poems are at last between two people instead of two pages.

#laabf2019 
#danizelko

https://laabf2019.printedmatterartbookfairs.org/Saturday-13

DOMESTIC ORBITS BY FRIDA ESCOBEDO AT LAABF2019

The Classroom
At @printedmatter_artbookfairs .
.
.
Domestic Orbits. Organized through a series of case-studies that range from the 1950s until today in Mexico City, this publication looks at the different scales—from the housing unit to the urban environment—in which domestic labor spaces are erased by architects and planners. By making visible what architectural plans render invisible, Frida Escobedo draws the guidelines for a counter-history of modernist architecture in Mexico. 
Presents @fridaescobedo Xavi Nueno and @gatonegroediciones

https://laabf2019.printedmatterartbookfairs.org/Friday-12

UIC School of Design 2018–19 public seminar series

To learn more about #uicdesign 2018-19 Public Seminar Series please visit our website at http://design.uic.edu

UIC School of Design 2018–19 public seminar series
Gato Negro
Thursday, February 21
6:00–7:30 pm
Architecture and Design Studios
845 West Harrison Street, Chicago
Free and open to the publi

http://design.uic.edu

AN ARTIST: ATMOSPHERE READING AT MATERIAL ART FAIR

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A Manifesto on the Appropriation of Space. A Methodology for Making Architeture. By APRDELESP AT MATERIAL ART FAIR

Buildings are not empty containers awaiting their inhabitants. They are themselves composed of a large and ever-changing array of objects. To maximize opportunities for appropriation, expand the class of objects traditionally dealt with by architects to encompass all possible objects (existing, belongings, proposed, and suggested) such as a wall, a sink, a chair, that might occupy a particular area at a particular moment in a project. Prioritizing care for only certain objects −such as walls, floors, ceilings, etc.− would limit the forces of appropriation.

A Manifesto on the Appropriation of Space. A Methodology for Making Architeture.
By APRDELESP

Book launch.
Friday 8th at @materialfair 
With @aprdelesp @_rec @institutoii 
@gatonegroediciones 
More is more 💅🏻💘💕🍻🕌🌋 #gatonegroediciones #materialartfair#aprdelesp

Cabina de autoerotismo en @rrreplicaorg  #Rebeca

Cabina de autoerotismo en @rrreplicaorg 
#Rebeca (2018, @gatonegroediciones)

Ejercicio de autoerotismo, experimento en solitario y exposición pública, exhibicionismo y voyeurismo. 
Des-vestirse. Encontrarse. Cuerpo.

Instrucciones

Dentro de la habitación 
se encontrará una cámara sincronizada a una computadora que tomará fotografías en intervalos fijos de tiempo (cada 
5 segundos). Un asistente te ayudará a encuadrar la toma y a operar el equipo para comenzar y luego detener la sesión. Puedes elegir el encuadre que quieras: medio plano, plano completo, descartar tu rostro... las tomas pueden ser anónimas o no. 
Tú lo decides.

Durante la sesión estarás completamente sol@. La duración es libre, también, lo que quieras hacer en ella. Puedes desvestirte o no, bailar, mover la cámara, quedarte de espaldas: construye tu propio universo
Tus fotografías: 
A) quedarán almacenadas en una carpeta con un pseudónimo elegido por ti. Estas imágenes se enviarán a tu correo electrónico (lo escribirás en una libreta de direcciones, asociado al pseudónimo previamente elegido). Después del envío serán eliminadas tanto de la cámara como de la computadora. 
B) si lo deseas, puedes imprimir algunas de tus fotografías en la Riso que se encuentra en el área principal del encuentro.

Importante
Ninguna fotografía será almacenada en los equipos fotográficos más allá de la duración del ejercicio. Todas las fotografías generadas serán eliminadas después de su envío en presencia del participante. La identidad de los participantes será anónima si así lo desean. Bajo ningún motivo se divulgará información o fotografías de los participantes.

QUEER SKATE MEXICO CITY

Update! Queer skate Mexico City! Jueves 31.01 Meet at @aeromotomx at 19:00 for @unitypress @rrreplicaorg e end and then skating a few blocks away at la plaza Rio de Janeiro 20:00 todas las habilidades son bienvenidas! @unitypress will also be tabling at @rrreplicaorg this weekend

BOOK SIGNING IMAGEN DIVINA AT OFFPRINT PARIS

8-11 NOV 2018

This afternoon:
Book signing by Toro-Goya, Imagen Divina, at Offprint Paris,
17h.

@torogoya 
@offprint_projects 
@gatonegroediciones

GATO NEGRO EDICIONES PRESENTS EL RÍO / THE RIVER BY ZOE LEONARD

talk and presentation of the book

with León Muñoz Santini (self-taught designer, photographer and founder of Gato Negro Ediciones, Ciudad de México)

After briefly introducing the mission and activities of Gato Negro Ediciones – the independent and anti-authoritarian publishing project specialized in Riso printing which León Muñoz Santini founded in Mexico City in 2013 and through which he challenges the limits of what the book format and more generally the editorial language can convey –, Muñoz Santini will present the book by Zoe Leonard, El río / The River with texts by Dolores Dorantes (Ciudad de México: Gato Negro Ediciones, 2018). The book collects unpublished photographs that the American artist Zoe Leonard has taken along the Rio Grande (or Río Bravo) in 2017 and texts commissioned for this project from Dolores Dorantes, Mexican poet and activist, who has been exiled to the United States for years. The book is an immersion into the physical context, the actual barrier; the very heart of the border between Mexico and the United States: the waters of the Río Bravo or Rio Grande. A number of figures in the water recall something else: skin, scars, wrinkles, genitals, the writing of an unknown language. A poem made of photographs, and the depiction of that sequence with a poem made of words. Or rather, a broken bilingual, visual-textual attempt of conversation over the tensions in between a simple, ever-changing but always the same flow of water, and all the terrible complexities around, above, beneath it. The argument could be simple: at the end and at the beginning, it is only water. As simple, complex, beautiful and terrible as that. Or maybe not: to complete the argument it is necessary to summon the ghost of the body that runs through it.
In the words of Dolores Dorantes: I’m going to walk on water. Say. Bring me all those parts of the body and put them here. Say. I’m the body and I’m on the table. Soy tu cuerpo y estoy sobre la mesa, en la estructura divisoria del mundo. Soy tu cuerpo y estoy sobre la mesa del mercado del mundo. Soy tu cuerpo y estoy sobre la mesa, donde se encausa la corriente del mundo. I’m the farce, arranged at strategic points of our territories. Between the face and neck, for example. Between the anchored ankle and satisfaction.

http://flatartbookfair.com/en/programma/